CRYSILDA: I see it now.
‐ What?
‐ How to make it right.
How to get away clean.
‐ [screaming]
RITA: I'm looking for a girl.
This is 16 years old,
so she would be in her 30s now.
Her name is Annie.
JOY: What were you gonna do with me?
‐ Joy...
‐ You were gonna kill us both, weren't you?
JOY: You need to go.
‐ Joy, I'm not going anywhere without you.
[gunshot]
DEPUTY: Hands up!
‐ I did it!
AUGUSTIN: She brought me back.
The Wilkes woman brought all of us back.
‐ You're seeing signs where there are none.
‐ What vessel is suitable? Show us the proper vessel.
SHERIFF BOUCHER: Her head's swimming with antipsychotics.
AUGUSTIN: What was the problem?
‐ The medicine they use, it...
confuses them.
AUGUSTIN: And the vessel?
For Amity?
You chose her? ‐ No.
She chose us.
It's all happening exactly as Amity said it would.
[dark music]
[door creaks]
ACE: Hello, Anne.
[eerie music]
‐ Ace?
[door slams]
What's happening?
They questioned me, but they brought us here.
Am I under arrest?
‐ He's with us now.
♪ ♪
Let's find you a place to clean up.
♪ ♪
[strange echoing whistling]
[Leonard Cohen's "Avalanche"]
♪ ♪
[bell jingles]
♪ ♪
COHEN: ♪ I stepped into an avalanche ♪
♪ It covered up my soul ♪
♪ ♪
♪ When I am not this hunchback that you see ♪
♪ I sleep beneath the golden hill ♪
♪ ♪
♪ You who wish to conquer pain ♪
♪ You must learn, learn to serve me well ♪
♪ ♪
♪ You strike my side by accident ♪
♪ ♪
♪ As you go down for your gold ♪
♪ ♪
♪ The cripple here that you clothe and feed ♪
♪ Is neither starved nor cold ♪
♪ ♪
[ominous music]
♪ ♪
‐ What have you found?
‐ Her pills.
[suspenseful music]
♪ ♪
[disjointed, tense music]
♪ ♪
ANNIE: I saw this a week ago,
and it was kind of a flop house.
‐ We figure if we can fix a place like this,
we can fix anything.
Anyone.
As long as you're here, you have sanctuary.
ANNIE: No, no, we are not staying here.
‐ If you leave now, you'd be taking your chances...
♪ ♪
With the state.
Child Protective Services.
Everyone needs help sometimes.
No shame in it.
Stay the night.
Until it's safe out there for you and Joy.
JOY: [weeping]
‐ Little love...
[sighs] I wanna fix it...
But I don't know how.
I just know we can't stay here.
[door opens]
[approaching footsteps]
As soon as it's safe, we'll leave.
I promise.
EERIE VOICE: [whispering] Annie...
ANNIE: Sweetheart...
EERIE VOICE: [whispering] Annie...
[tense music]
Annie.
‐ What are you doing?
Have you been taking your pills?
ANNIE: Yes, they gave them back to me.
♪ ♪
CHRIS: I understand Amity's vessel is here now.
‐ Yes, she'll be back with us soon.
‐ And the doctor?
VALERIE: Augustin says it's time for her too.
She's your affair now.
♪ ♪
[knocks on door]
‐ Hey, what are you doing here?
I've gotta get to work. ‐ I just need to talk to you.
‐ So, where have you been?
‐ If your brother's sleeping at the office now...
that means you've got the place all to yourself.
NADIA: So?
‐ So maybe we can find some virtue
in the circumstances.
‐ It's not a joke.
CHRIS: [sighs]
You two will work it out.
It's time.
‐ No, it's not.
[gags]
‐ [grunts softly] ‐ [gagging]
‐ [grunting]
‐ [grunts] ‐ [hollers]
Bitch!
[dramatic music]
NADIA: [screams]
CHRIS: [grunts, hollers]
‐ What's wrong with you?! ‐ Kill you, bitch!
NADIA: Chris, get off!
‐ Chris is dead and you're next.
‐ What are you doing?!
‐ Four fuckin' years and you think you can get away?
[both grunting]
NADIA: [yelps]
[panting]
‐ It is time.
Cell network, phone lines, power.
Once we cut off communication...
[lights clang]
Kill anyone that's left.
‐ [panting]
[heavy thud]
[wheels clattering]
Hello?
What the fuck? [sighs]
[tense music]
♪ ♪
[phone dock clicking]
♪ ♪
Is anybody here?
Hello?
[melancholy music]
♪ ♪
[foreboding music]
♪ ♪
VALERIE: There is something you need to see.
♪ ♪
‐ Whose hand is this?
‐ The girl's.
What if the daughter is the vessel?
‐ [speaking French]
[tense music rises, crescendos]
♪ ♪
Is this your daughter's?
‐ Yeah.
Did she leave it out?
ACE: She has a very unique style.
Has she always been an artist?
Joy.
‐ Steady hand, that girl.
ACE: Is she... doing better?
If there's anything at all that she needs‐‐
a favorite meal, new clothes...
art supplies.
Even‐‐I hope you'll forgive me‐‐
uh...
any medication.
‐ No, nothing like that.
She's not like‐‐ ‐ Of course.
I just wondered.
[muffled thud]
‐ That door...
‐ Yes?
‐ What's down there?
‐ The basement.
ANNIE: You keep it locked.
‐ I do.
We're finishing it.
I don't want someone to get hurt.
[sinister music]
♪ ♪
EERIE VOICE: [whispering] Annie.
[metal clanging]
NADIA: Hello?
Miss Davis?
What happened? Where is everyone?
‐ The parade came by.
They went out to look, and they never came back.
They all kept talking about a noise,
but I couldn't hear it.
‐ [grunting]
[coughing, gasping]
♪ ♪
It hurts. Jesus.
‐ What hurts?
‐ Get him out of me. Get him away.
I don't know what's happening.
There's something inside of me! ‐ Chris, it's Nadia.
There's no one here but us.
‐ [gasping]
What happened?
‐ You attacked me is what happened.
‐ There's someone‐‐
someone inside of me.
[panting]
[groans]
‐ Listen, you're having a psychotic break.
I'm treating you with Haldol to stabilize you.
I know what you're feeling feels very real right now‐‐
‐ It is real. It's all‐‐it's all real.
They're coming for you, Nadia.
They're coming for everyone.
‐ Chris? Chris?
EERIE VOICE: [whispering] Annie.
Can't you see
what these dirty birds want?
Can't you see
how you're giving in to them?
Giving her to them.
Dirty words in a dirty book...
Blind you to what's really going on,
just like they did with your father.
[no audible dialogue]
[echoing] Annie...
‐ [whimpers]
‐ Annie!
‐ [hyperventilating]
[sinister music]
♪ ♪
‐ [gasping]
[screams]
This isn't real.
CRYSILDA: They put filth inside her.
‐ [whimpering] You aren't‐‐you aren't real!
CRYSILDA: Get her clean!
‐ Did you get any sleep?
‐ I guess.
‐ Nothing like a nice, long sleep.
‐ [breathing heavily]
‐ Joy?
‐ Why are you being so nice to us?
ACE: [chuckles]
‐ You weren't like this when we first got here.
‐ People change.
ANNIE: Joy?
[eerie music]
♪ ♪
[rapid approaching footsteps]
♪ ♪
ACE: That appalling man you met,
he was at a funny place in his life.
Turns out, his time was up,
and now he feels like a...
distant memory.
Think you might like a change, Joy?
Given what you've been through.
♪ ♪
Terrible thing...
to see someone die like that...
and right in front of you.
And to be responsible for someone's death.
‐ No, no, it was an accident.
‐ Things happen for a reason.
[insects buzzing]
And you did a bad thing.
A terrible thing, Joy.
Now you feel empty.
A shell.
♪ ♪
‐ [whimpers softly]
[yelps]
[sinister music]
JOY: [muffled screaming]
‐ Shh.
‐ Get off!
ACE: But lucky you.
‐ [muffled] Let me go! Let me go!
ACE: Not for long.
[dark music]
♪ ♪
‐ [panting]
[groaning] ‐ Just breathe.
You're safe now.
‐ Just give me more of that stuff.
I can't hold him back any longer.
[inhales hoarsely] [groaning]
NADIA: Chris? Chris.
‐ [yelps]
NADIA: I'm getting more medicine.
‐ [groaning, straining]
[suspenseful music]
♪ ♪
[door opens]
BILLY: Just sweep the building for people and shoot anyone that's left.
♪ ♪
‐ Chris, there are men here with guns.
‐ My men, and I'll enjoy watching what they do to you.
‐ What? ‐ I'm in here, brothers!
[muffled screaming] ‐ [shushes]
‐ Hello, boys! I'm in here!
NADIA: Shut the fuck up!
‐ [muffled screaming]
♪ ♪
[distant clatter]
[muffled holler]
♪ ♪
[gunfire] [glass shatters]
[gunfire continues]
‐ [grunting]
‐ [screams]
CHRIS: You're all gonna die!
‐ Fuck!
[panel beeps]
‐ [muffled grunting]
[gunshot]
BILLY: Open the fucking door!
‐ [grunts]
[door rattling]
Go around the back!
‐ You're not getting out of here alive.
Open the door.
[grunts]
[suspenseful music]
♪ ♪
No, don't, don't.
‐ [panting] ‐ Don't, don't‐‐
‐ It's just a little Haldol. Come on, Chris!
‐ [grunts]
[rattling] [muffled chatter]
TIMOTHY: Did you find the Wilkes woman?
VALERIE: No, not yet. Search the grounds.
Go up to the girl.
No one gets in.
Not until sunset tomorrow.
ANNIE: Joy‐‐no, no.
[water dripping]
‐ Find her.
Get her clean.
Get her out of this dirty world.
[sinister music]
♪ ♪
[clatter]
♪ ♪
‐ [gasps]
[muffled screaming]
‐ Where's my girl?
‐ [muffled] I don't know, you bitch!
[muffled screaming]
‐ Look what you're making me do.
[breathing heavily] ‐ Up in the attic!
Attic!
[muffled screaming]
ANNIE: [grunts]
[screams]
[both screaming]
‐ [gasping]
♪ ♪
[door slams]
[lock clicks]
♪ ♪
[object clatters]
ANNIE: [screams]
‐ Helene?
Helene?
What happened?
[object scrapes]
[intense music]
♪ ♪
‐ [gasps]
[board clatters]
JOY: Mom? ‐ Oh, little love.
Oh. [breathing heavily]
‐ What's happening?
ANNIE: We're getting out, that's what.
‐ What did they do to you?
CRYSILDA: [whispering] Annie.
You have to save her...
like I tried to do for you.
CRYSILDA: You know there's only one way out
of this dirty world.
You know what you have to do.
End your pain.
End her pain.
‐ Joy...
‐ Mom. ‐ We're gonna...
CRYSILDA: Kill her, Annie.
Make her clean.
[baby crying]
Make her clean.
Get her clean.
Make her clean.
‐ [gasps]
‐ Mom, can we go?
‐ [breathing shakily]
‐ Mom?
♪ ♪
‐ Hang on to me, okay?
Don't make a sound.
♪ ♪
[indistinct whispered chatter]
♪ ♪
[birds chirping]
‐ [breathing shallowly]
[tense music]
♪ ♪
[pounding on door] BILLY: Doctor!
Let's try this again!
NADIA: No! ‐ One life for two!
How does that sound?
CHRIS: Nadia, don't open the door.
‐ Ten! ‐ Don't open the door.
‐ Nine! ‐ No, no, no, no, no.
CHRIS: Don't open it. BILLY: Eight!
‐ I can see‐‐ I can see what he's seen.
Don't open the door. [gasps]
Give me more of that drug. ‐ Six!
CHRIS: Give me more Haldol.
BILLY: Five! ‐ Nadia, I can hold him back.
It has to be now.
[pounding on glass]
BILLY: Three!
Two!
[muffled crash] [Nadia screams]
[glass shatters]
‐ [whimpering]
[gasps]
[panel beeps]
BILLY: Bertrand?
‐ Thank you.
She's back there.
[both grunt]
[both grunting]
[gunshot]
NADIA: [grunts] ‐ [groaning]
‐ [whimpering]
[repeating] No, no, no, no, no, no.
‐ It's... [panting]
It's okay.
‐ I'll get you into surgery.
‐ No, Nadia. I'm not really here.
I'm already gone.
[groans]
You have to stop them.
‐ Chris... [weeping]
‐ [grunts] Just...
Just know...
I alway‐‐I always...
‐ [screams]
[brooding music]
♪ ♪
VALERIE: [whistling]
This way.
There they are.
Over there.
♪ ♪
[crowd murmuring]
‐ [grunts]
Joy?
‐ [grunts]
[both grunting]
Come on!
‐ Joy!
Joy, no!
Joy!
Joy, don't!
Joy!
[echoing tone]
[solemn music]
♪ ♪